[22 Paradise Rd., Northampton, Mass.]

T. S.Eliot
EmilyHale
TS
The Criterion
4 February 1938
My Dearest,

IMurder in the Cathedral1938 American tour;f6EH reports on first night;b4 have to thank you, my dear, for your very thoughtful cable about the first night of Murder in the Cathedral. It was still more appreciated, because nobody else – neitherDukes, Ashley;d7 Dukes, who should have cabled, nor my family, who might have cabled – did so. But at the same time, I do look forward to more objective reports – newspapers etc. to confirm the opinion of one who I know was anxious to believe that the performance was a success. EvenAmericaBoston, Massachusetts;d1its theatregoing public;b9 so, I know too much to rely wholly on the first night, on which no doubt I should have known a large proportion of the audience: success in Boston depends on how it takes on with the suburbs and the Irish, and that no one can foretell.

You might have had an earlier letter from me this week, but I will admit that I have been in bed with laryngitis, Sunday to Wednesday. As you know, I had a very heavy weekful of people last week, and for the most part people who required a considerable outflow of energy, culminatingTandy, Geoffreyrepeats 'Cats' broadcast;c2 withBritish Broadcasting Corporation (BBC)repeats 'Cats';b6 having Tandy to lunch on Saturday after his repeat performance of Practical Cats1 – I had hoped for a nap after lunch, but he stayed on until half past five! So Sunday found me in bed, and on Monday I had the doctor, soSouthwark CathedralTSE makes appeal for;a1 that he should get me fit to fulfil my engagements at the Mansion House on Wednesday (see enclosure!) which I did, though with a very husky voice.2 So I have been taking things more easily since then (especiallyFamily Reunion, Thefair copy being typed;d2 sinceBrowne, Elliott Martin1939 production of The Family Reunion;c1typescript prepared for;a8 the Family Reunion is now out of my hands and in those of Miss Evans, Morley’s secretary, who is making a copy for Martin Browne to criticise) and for your reassurance will say that I have decided not to dine out again two nights running for the rest of the winter. These minor ailments are really nothing but fatigue, with me; and I am grateful for having them as a kind of safety valve – I slept almost solidly for two days – but at the same time I recognise a duty to avoid their necessity: andCamerons, the;a7Cameron, AlanCamerons, theBowen, Elizabeth (Mrs Cameron)Camerons, the I have begun by declining an invitation from the Camerons’ (whose evenings are always agreeable) for Tuesday night, asLiterary Society, The;a5 I am going to the Literary Society dinner on monday [sic], andBelgion, Montgomeryto Volpone;c2 to ‘The Three Sisters’ with Belgion on Thursday, andMorley, Christina (née Innes)accompanies TSE to Three Sisters;b5 am taking Christina Morley to Volpone (only it is the other way about, Volpone with Belgion and The Three Sisters with Christina) at the end of the week, and that’s enough for one week. Christina is living alone in a small borrowed flat in Chelsea, which will be very good for her, as she has had so much work and worry for months past, running the household with inadequate staff, and having three children in bed during the holidays, andMorley, Donald;a6 Donald having had to have his tonsils out for the second time because the surgeon who operated before didn’t do a proper job, andMorley, Frank Vigorhis energy;h5 Frank never wanting to go to bed till past midnight, that she can do with a rest. But he has rather imposed on me the duty of keeping her in mind during his absence; andHayward, John;i1 the next thing will be to take her to see John Hayward, whom he wants her to know, and she being shy and Scotch and frightened of intellectuals until she knows them very well – not at all an easy temperament to deal with.

WhatRoberts, Michaeldescribed for EH;a4 shall I say about Michael Roberts? There are questions which I could not answer without asking him. I know that he comes of Hampshire yeoman stock, and that he was at Cambridge; but I don’t remember whether Peterhouse or Pembroke (the latter I think) or what degree he took or in what subject. He has been a schoolmaster ever since leaving Cambridge. HeRoberts, MichaelNew Signatures;c3 made his first mark by editing a volume called I think ‘New Signatures’ which was a small anthology of verse that did a great deal to put Auden, Day Lewis and Spender on the map. His first original book was ‘A Critique of Poetry’ published in 1934 by Cape (I saw it in ms, but both Frank and I thought that it would be better for somebody else to publish the book, because it was so largely concerned with Faber authors[)]. TheRoberts, MichaelThe Modern Mind;c2 book we published last year, ‘The Modern Mind’, represents a very great advance upon the first, and has attracted the serious attention of some really first class people. HeRoberts, MichaelT. E. Hulme;c5 has done for us a new piece of philosophical criticism, a study of the work of T. E. Hulme, which is to appear in the spring.3 He has a remarkably synthetic mind; has a knowledge and understanding of literature, of philosophy, of mathematics and physical science, which is unusual. Also, an interest in scholastic philosophy, especially Duns Scotus. And his trend of thought is unmistakeably Christian. I am quite sure that his is one of the really valuable minds of his generation: I should put him in the front rank. And I believe that he is a really first rate teacher. Now if you need to know anything else, ask me. I should say, that if Harvard offered him a permanent job in their philosophy department, they would be showing unusual acumen.

I must stop now, but I don’t expect to have to miss any good sail boats for some time to come. A quiet weekend ahead.

Grateful for yours of the 26th.
Devotedly
Your Tom

1.GeoffreyBritish Broadcasting Corporation (BBC)repeats 'Cats';b6Siepmann, Charles ArthurBritish Broadcasting Corporation (BBC) Tandy repeated on 29 Jan. 1938 his successful Christmas Day 1937 radio broadcast – ‘Pollicle Dogs and Jellicle Cats’ – of verses from Practical Cats. It was to be followed by Cats Mostly Practical, 25 June 1938, and by Pollicles and Jellicles: Tales of Cats and Dogs in Verse, 7 Oct. 1939, which the Radio Times trailed: ‘Before Christmas Day 1937, when the first selection was broadcast, nobody would have associated a set of cheery, yet at the same time profound, verses on the subjects of cats and dogs with the name of T. S. Eliot. Nevertheless the author of The Waste Land has written such verses, originally for the amusement of his friends’ children.’

2.See ‘Where Chaucer Worshipped: Needs of Southwark Cathedral: An Appeal for £25,000’, The Times, 3 Feb. 1938, 9: ‘A reading on behalf of Southwark Cathedral’, CProse 5, 597–8.

3.Roberts, T. E. Hulme (F&F, 1938).

America, TSE on not returning in 1915, and TSE as transatlantic cultural conduit, dependence on Europe, TSE's sense of deracination from, and the Great Depression, TSE a self-styled 'Missourian', as depicted in Henry Eliot's Rumble Murders, its national coherence questioned, its religious and educational future, versus Canadian and colonial society, where age is not antiquity, drinks Scotland's whisky, and FDR's example to England, underrates Europe's influence on England, redeemed by experience with G. I.'s, TSE nervous at readjusting to, and post-war cost of living, more alien to TSE post-war, its glories, landscape, cheap shoes, its horrors, Hollywood, climate, lack of tea, overheated trains, over-social clubs, overheating in general, perplexities of dress code, food, especially salad-dressing, New England Gothic, earthquakes, heat, the whistle of its locomotives, 'Easter holidays' not including Easter, the cut of American shirts, television, Andover, Massachusetts, EH moves to, Ann Arbor, Michigan, TSE on visiting, Augusta, Maine, EH stops in, Baltimore, Maryland, and TSE's niece, TSE engaged to lecture in, TSE on visiting, Bangor, Maine, EH visits, Bay of Fundy, EH sailing in, Bedford, Massachusetts, its Stearns connections, Boston, Massachusetts, TSE tries to recollect society there, its influence on TSE, its Museum collection remembered, inspires homesickness, TSE and EH's experience of contrasted, described by Maclagan, suspected of dissipating EH's energies, EH's loneliness in, Scripps as EH's release from, possibly conducive to TSE's spiritual development, restores TSE's health, its society, TSE's relations preponderate, TSE's happiness in, as a substitute for EH's company, TSE's celebrity in, if TSE were there in EH's company, its theatregoing public, The Times on, on Labour Day, Brunswick, Maine, TSE to lecture in, TSE on visiting, California, as imagined by TSE, TSE's wish to visit, EH suggests trip to Yosemite, swimming in the Pacific, horrifies TSE, TSE finds soulless, land of earthquakes, TSE dreads its effect on EH, Wales's resemblance to, as inferno, and Californians, surfeit of oranges and films in, TSE's delight at EH leaving, land of kidnappings, Aldous Huxley seconds TSE's horror, the lesser of two evils, Cannes reminiscent of, TSE masters dislike of, land of monstrous churches, TSE regrets EH leaving, winterless, its southern suburbs like Cape Town, land of fabricated antiquities, Cambridge, Massachusetts, TSE's student days in, socially similar to Bloomsbury, TSE lonely there but for Ada, TSE's happiness in, exhausting, EH's 'group' in, road safety in, Casco Bay, Maine, TSE remembers, Castine, Maine, EH holidays in, Cataumet, Massachusetts, EH holidays in, Chicago, Illinois, EH visits, reportedly bankrupt, TSE on, TSE takes up lectureship in, its climate, land of fabricated antiquities, Chocurua, New Hampshire, EH stays in, Concord, Massachusetts, EH's househunting in, EH moves from, Connecticut, its countryside, and Boerre, TSE's end-of-tour stay in, Dorset, Vermont, EH holidays in, and the Dorset Players, Elizabeth, New Jersey, TSE on visiting, Farmington, Connecticut, place of EH's schooling, which TSE passes by, EH holidays in, Fitzwilliam, New Hampshire, EH recuperates in, Gerrish Island, Maine, TSE revisits, Hollywood, perceived debauchery of its movies, TSE's dream of walk-on part, condemned by TSE to destruction, TSE trusts Murder will be safe from, Iowa City, Iowa, TSE invited to, Jonesport, Maine, remembered, Kittery, Maine, described, Lexington, Massachusetts, and the Stearns family home, Lyndeborough, New Hampshire, visited by EH, Madison, Wisconsin, Aurelia Bolliger hails from, Ralph Hodgson sails for, EH summers in, as conceived by TSE, who eventually visits, Maine, its coast remembered by TSE, TSE recalls swimming off, Minneapolis, on EH's 1952 itinerary, TSE lectures in, New Bedford, Massachusetts, EH's holidays in, TSE's family ties to, New England, and Unitarianism, more real to TSE than England, TSE homesick for, in TSE's holiday plans, architecturally, compared to California, and the New England conscience, TSE and EH's common inheritance, springless, TSE remembers returning from childhood holidays in, its countryside distinguished, and The Dry Salvages, New York (N.Y.C.), TSE's visits to, TSE encouraged to write play for, prospect of visiting appals TSE, as cultural influence, New York theatres, Newburyport, Maine, delights TSE, Northampton, Massachusetts, TSE on, EH settles in, TSE's 1936 visit to, autumn weather in, its spiritual atmosphere, EH moves house within, its elms, the Perkinses descend on, Aunt Irene visits, Boerre's imagined life in, TSE on hypothetical residence in, EH returns to, Peterborough, New Hampshire, visited by EH, TSE's vision of life at, Petersham, Massachusetts, EH holidays in, TSE visits with the Perkinses, EH spends birthday in, Edith Perkins gives lecture at, the Perkinses cease to visit, Philadelphia, Pennsylvania, TSE on, and TSE's private Barnes Foundation tour, Independence Hall, Pittsfield, Massachusetts, surrounding countryside, Portsmouth, Maine, delights TSE, Randolph, New Hampshire, 1933 Eliot family holiday in, the Eliot siblings return to, Seattle, Washington State, EH summers in, EH's situation at, TSE prefers to California, EH repairs to post-Christmas, EH visits on 1952 tour, EH returns to, Sebasco, Maine, EH visits, South, the, TSE's first taste of, TSE's prejudices concerning, St. Louis, Missouri, TSE's childhood in, TSE's homesickness for, TSE styling himself a 'Missourian', possible destination for TSE's ashes, resting-place of TSE's parents, TSE on his return to, the Mississippi, compared to TSE's memory, TSE again revisits, TSE takes EVE to, St. Paul, Minnesota, TSE on visiting, the Furness house in, Tryon, North Carolina, EH's interest in, EH staying in, Virginia, scene of David Garnett's escapade, and the Page-Barbour Lectures, TSE on visiting, and the South, Washington, Connecticut, EH recuperates in, West Rindge, New Hampshire, EH holidays at, White Mountains, New Hampshire, possible TSE and EH excursion to, Woods Hole, Falmouth, Massachusetts, TSE and EH arrange holiday at, TSE and EH's holiday in recalled, and The Dry Salvages, TSE invited to, EH and TSE's 1947 stay in, EH learns of TSE's death at,
see also American Presidential Election
Belgion, Montgomery, and Alida Monro dine chez Eliot, expensive club dinner with, accompanies TSE to Othello, and Charles Williams dine with TSE, accompanies TSE to Henry IV, Part II, to Garrigou-Lagrange lecture, takes TSE and Saurat to the Ivy, weekend's walking in Sussex with, in Criterion inner-circle, drink with Tom Burns and, accompanies TSE to Cranmer, and Mairet to lunch, accompanies TSE to Witch of Edmonton, arranges dinner for Murder, accompanies TSE to Uncle Vanya, to Measure for Measure, to Richard III, to Volpone, lonely, hosts dinner at Chinese restaurant, reviews Christian Society, on leave in London,

4.MontgomeryBelgion, Montgomery (‘Monty’) Belgion (1892–1973), author and journalist: see Biographical Register.

British Broadcasting Corporation (BBC), TSE's committee service for, its future discussed, TSE working on autumn programme for, TSE on educational broadcasting in general, Barbara Burnham production of Murder, lobbies TSE for next play, 'The Need for Poetic Drama', Metaphyical poet broadcasts for, 'The Church's Message to the World', Christmas Day 'Cats' broadcast, dramatic Waste Land adaptation, which is censored for broadcast, repeats 'Cats', plays Parsifal on Good Friday, broadcasts Hawkins interview with TSE, 'Towards a Christian Britain', 1941 production of Murder, Eastern Service broadcasts East Coker, broadcasts Webster talk, Tennyson talk, Dry Salvages, Poe talk, Dryden talk, Joyce talk, European Service broadcasts TSE's talk, TSE declines Christmas broadcast for, wants to record 'Milton II', broadcasts TSE's personal poetry selection, broadcasts Gielgud's Family Reunion, marks TSE's 60th birthday, Gielgud Family Reunion repeated, solicits TSE post-Nobel Prize, TSE's EP broadcast for, records TSE reading Ash-Wednesday, floats Reith Lectures suggestion, approaches Marilyn Monroe to star in Fitts's Lysistrata,
Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

Camerons, the, removed from Oxford to London, at JDH's, evening with Freddie Ayer and, first television-watching experience with,
Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the

4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.

Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Hayward, John, in TSE's thumbnail description, his condition and character, what TSE represents to, VHE complains about TSE to, TSE's new chess-playing neighbour, meets EH over tea, hosts TSE, GCF and de la Mare, on EH, on EH (to TSE), gives TSE cigars for Christmas, calls EH TSE's 'sister', and the Dobrées on Boxing Day, and TSE play a prank on guests, backstage at The Times, taken for walk, on Jenny de Margerie, Empson, TSE and Sansoms call on, evening with Spender, Jennings and, exchanges Christmas presents with TSE, exchanges rare books with TSE, sends luxuries to convalescent TSE, TSE's only regular acquaintance, dines with TSE and Camerons, lent Williams's Cranmer, accompanied to the Fabers' party, hosts discussion about Parisian Murder, inspects French translation of Murder, and TSE's Old Buffers' Dinner, gives TSE bath-mitts, given wine for Christmas, one of TSE's dependents, at Savile Club Murder dinner, Empson takes TSE on to see, possible housemate, in second line of play-readers, walked round Earl's Court, and Bradfield Greek play, and TSE drive to Tandys, and TSE give another party, corrects TSE's Anabase translation, watches television with TSE, Christmas Day with, introduced to Djuna Barnes, meets Christina Morley, walk round Brompton Cemetery with, Hyde Park excursion with, moving house, at his birthday-party, honoured at F&F, displaced to the Rothschilds, where TSE visits him, among TSE's closest friends, his conversation missed, the prospect of Christmas without, excursions to Cambridge to visit, 'my best critic', gives TSE American toilet-paper, helps TSE finish Little Gidding, possible post-war housemate, protector of TSE's literary remains, foreseeably at Merton Hall, discusses plays with TSE, flat-hunting with, and Carlyle Mansions, his furniture, installed at Carlyle Mansions, further handicapped without telephone, undermines TSE's aura of poetic facility, irritates except in small doses, helps with adjustment of TSE's OM medal, at the Brighton Cocktail Party, hounded by Time, quid pro quo with TSE, arranges first-night party for Cocktail Party, arranges Confidential Clerk cast dinner, and TSE's Selected Prose, and TSE entertained by Yehudi Menuhin,

11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.

Literary Society, The, TSE's reasons for joining, comical evening with, TSE's efforts to elect GCF to, finally admits GCF,
Morley, Christina (née Innes), and country life, at Joyce dinner in Paris, taken to theatre in Morley's absence, again to Love for Love, knits TSE socks, her Celtic temperament, therefore special affinity with Donald, sleeping at Donald's school, as tennis-player, falls asleep at wheel, entertained at The Berkeley, accompanies TSE to Three Sisters, taken to meet JDH, accompanies TSE to Bulgakov's White Guard, brings Morley boys along to Shakespeare, faced with departure for America, America's effect on, sends Ada's New York Times obituary, TSE writes letter of condolence to, for which she thanks him, in Cambridge,
see also Morleys, the
Morley, Donald, TSE on, model yacht sought for, pleased with TSE's present, after a term of school, close to mother's Celtic soul, masters his urge to pester TSE, given tennis-racket, improved by school, bought model car for Christmas, treated in Ramsgate, taken to Shakespeare, wants to be a pilot,
see also Morleys, the

2.JohnMorley, Donald Donald Innes Morley (b. 15 Mar. 1926).

Morley, Frank Vigor, TSE on sharing an office with, Criterion monthly meeting regular, returns from New York, indispensable in proofing Selected Essays, Criterion lunch in company with, joins farewell lunch for Hodgson, offers TSE post-separation refuge, acts for TSE during separation, spirits TSE away to Surrey, on TSE at Pike's Farm, as châtelain, acting as TSE's courier, on TSE's relationship to children, music-hall evening with, suggests tour of Scotland, which he plans out, suggests trip to Paris, thanks Joyce for hospitality, on TSE's 1933 tour of Scotland, negotiating for Ulysses, his absence means more work, treasured and missed, gets on famously with Ada, mercifully returned to F&F, produces birthday-cake, peacekeeper between Rowse and Smyth, in on Sherlock Holmes prank, encourages TSE to go to Finland, on TSE's 1935 tour of Scotland, and TSE drink GCF's whisky, takes TSE to Wimbledon, monopolises typewriter for joint story, as tennis-player, overawes GCF, TSE and EH's elected emergency go-between, good with thrusting young authors, backs publication of Nightwood, helps deal with Joyce, naturally projects strength, his French, escapes Criterion gathering to catch last train home, unusually subdued among the French, submits his Johnson Society paper, depends on TSE, on TSE's 1937 tour of Scotland, which Morley describes, two nights' sleep in a caravan with, potential reader for Family Reunion, his father dies, Spender discussed with, sends TSE corrected Anabasis, heads for New York and Baltimore, his energy, returns from America, visiting dying mother, shoulders burden of EP, insufficiently honours EP, Boutwood Lectures submitted to, accepts Harcourt Brace position, what his leaving F&F will mean, taken to tea with Woolfs, remembers EH taking priority, first wartime letter from, which reports on TSE's family, sounds depressed in America, sounds less depressed to GCF, among TSE's closest friends, his conversation missed, on Christian Society's American reception, suspected of indiscretion, EH explains 'Defence of the Islands' to, indifferent to Cats, entrusted with emergency Dry Salvages, America's effect on, gives Henry MS of 'Yeats', suggests 'Night Music' over 'Kensington Quartets', Ada too ill to see, his use of 'poised', puts TSE up in New York, on TSE's 1947 New York stay, presently unemployed, but inherits Graham Greene's job,
see also Morleys, the

4.FrankMorley, Frank Vigor Vigor Morley (1899–1980), American publisher and author; a founding editor of F&F, 1929–39: see Biographical Register.

Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Roberts, Michael, sketched in thumbnail, reviews Collected Poems, introduces radio Waste Land, described for EH, EH interests herself in, singles out Burnt Norton, asks TSE to be godfather, fingered for TSE's mentor role, recommended for EH's 'criticism' course, working for BBC, resemblance to wife, assists TSE in judging translations, at Norwegian diplomatic dinner, makes way for TSE's broadcast, terminally ill, dies of leukaemia, The Modern Mind, New Signatures, T. E. Hulme,
see also Robertses, the

1.MichaelRoberts, Michael Roberts (1902–48), critic, editor, poet: see Biographical Register.

Southwark Cathedral, TSE makes appeal for,
Tandy, Geoffrey, at Pike's Farm, on cuts to The Rock, playing on slot-machine with TSE, described for EH, plays golf with TSE, at Dobrée's farewell lunch, his film of TSE, on Speaight's Becket, in poor spirits, part of Criterion inner circle, gives Christmas Eve BBC address, Metaphysical readings prepared for, brings TSE sherry in bed, accompanies TSE to Cambridge and Wisbech, TSE's stylistic influence discerned in, and the original 'Cats' broadcast, repeats 'Cats' broadcast, away on war business, his conversation missed, his war work,
see also Tandys, the

2.GeoffreyTandy, Geoffrey Tandy (1900–69), marine biologist; Assistant Keeper of Botany at the Natural History Museum, London, 1926–47; did broadcast readings for the BBC (including the first reading of TSE’s Practical Cats on Christmas Day 1937): see Biographical Register.